on interviewing. and other stuff.

This is mainly (but not only) for the mag class:

Go here for a thoughtful look at the tricky ethics of the Q-and-A by Clark Hoyt, the public editor of The New York Times. Make you uncomfortable?

Go here and here for some background info on Gary Smith, whose work we will be discussing this week. The first is a piece by Marketwatch's Jon Friedman, who writes that smith is the journalist he would most like to meet. The second is a Q-and-A with Smith posted on Mediabistro. You can also read more about him via a search on jlinx.

Go here for a link to a compelling obit for Studs Terkel, who died this past fall, and who is the master of the oral history. Go here for a sample oral history (you can find others, from several of his other books, thanks to amazon online reader) from "American Dreams: Lost and Found".

If you need a refresher on John Sawatsky's interviewing techniques, go here.

And finally, to continue the riff on Cecile's micro-discussion from Friday: where does a journalist draw the line when it comes to either rescuing a source or observing illegal activity? When do you step in -- or do you? This question could certainly apply to Adrian Nicole LeBlanc's "Trina and Trina", yeah? Comments? bk

on gary smith

For all you Gary Smith fans: The award winning Sports Illustrated feature writer who has just come out with a new book, “Sports Illustrated: Going Deep,” was profiled in the New York Times yesterday.

I got my first dose of Smith's work when Melissa Segura (SCU, '01) brought a copy of her favorite piece to one of the first j. classes she took from me: he was her idol, and his work probably did more than anything else to inspire her to pursue a career in journalism.

Which she did. She is currently a writer-reporter at Sports Illustrated where she often works with Smith, who has become both a mentor and a friend. Segura covers baseball. Like her mentor, Segura looks deeply at the players, not just the games. Here's a link to one of her pieces.

Anyway, Smith's work is now a staple -- and a favorite -- of Magazine Journalism. From the Times article:

"Mr. Smith writes for Sports Illustrated. But his work is only tangentially about games, with great appeal for people who wouldn’t know a nickel defense from a triangle offense. Each year he produces four long, earnest feature articles that probe the psyches of wounded people, some of them famous but most obscure, from Andre Agassi to high school basketball players on an Indian reservation.

"And if the results are sometimes called melodrama, they have more often been praised as the work of perhaps the greatest American magazine writer currently working. He has won four National Magazine Awards — that industry’s equivalent of the Pulitzer Prize — for nonfiction writing, more than anyone else. He has been a finalist 10 times, also a record."