Showing posts sorted by relevance for query Studs Terkel. Sort by date Show all posts
Showing posts sorted by relevance for query Studs Terkel. Sort by date Show all posts

Monday, November 3, 2008

"curiosity never killed this cat"

RIP: Studs Terkel, the master of the oral history, the journalist who truly gave voice to the voiceless, and the inspiration for many of us -- reporters, profs, and students alike.

As Charles Kuralt once said, "When Studs Terkel listened, people talked."

Even Marcel Marceau.

Of the many obits written over the past few days, I like this one the best. I read it while out of town, doing my part for that other important guy from Chicago. bk

Photo credit: Associated Press. Author Studs Terkel celebrating after winning the 1985 Pulitzer Prize for his novel, "The Good War" (welt online)

Sunday, February 5, 2012

Literature of Fact presentations

In (very) roughly chronological order:

Studs Terkel
Joan Didion
Seymour Hersch
Michael Herr
Calvin Trillin
Nora Ephron
Pauline Kael
Barbara Ehrenreich
Jonathan Kozol
Eric Schlosser
Michael Pollan
Richard Rodrigues
Andrew Law
Michael Lewis
Rick Reilly
Chuck Klosterman
Susan Orlean
Siddhartha Mukherjee
Isabel Wilkerson

Sunday, January 25, 2009

on interviewing. and other stuff.

This is mainly (but not only) for the mag class:

Go here for a thoughtful look at the tricky ethics of the Q-and-A by Clark Hoyt, the public editor of The New York Times. Make you uncomfortable?

Go here and here for some background info on Gary Smith, whose work we will be discussing this week. The first is a piece by Marketwatch's Jon Friedman, who writes that smith is the journalist he would most like to meet. The second is a Q-and-A with Smith posted on Mediabistro. You can also read more about him via a search on jlinx.

Go here for a link to a compelling obit for Studs Terkel, who died this past fall, and who is the master of the oral history. Go here for a sample oral history (you can find others, from several of his other books, thanks to amazon online reader) from "American Dreams: Lost and Found".

If you need a refresher on John Sawatsky's interviewing techniques, go here.

And finally, to continue the riff on Cecile's micro-discussion from Friday: where does a journalist draw the line when it comes to either rescuing a source or observing illegal activity? When do you step in -- or do you? This question could certainly apply to Adrian Nicole LeBlanc's "Trina and Trina", yeah? Comments? bk