Thursday, January 13, 2011

good news for the magazine industry: looking UP

According to Reuters, the magazine industry has posted its first upswing in revenue in the past three years:

Advertising revenue at consumer magazines rose 3 percent in 2010 to about $20 billion, according to data from rate cards compiled by the Publishers Information Bureau.

People magazine, published by Time Warner Inc's Time Inc unit, pulled in the most ad revenue in 2010 at $1 billion. Ad revenue at the Food Network magazine, a joint venture between Hearst and the Food Network, grew the most -- 174 percent in 2010 compared to the prior year.

During the 2010 fourth quarter, magazine ad revenue climbed 4 percent.

The revenue growth shows that magazines, battered by advertising declines that followed an economic downturn, are recovering like other media such as broadcast television.

It's a sign, yeah? bk

Wednesday, January 12, 2011

wondering where we've been the last few months?

It's available for preorder here, here and here, a probably a few other places, too. To learn more, check our blog. And be sure to become a fan. bk

Tuesday, January 11, 2011

the sun comes up: not news...

The sun doesn't come up? news.

Here's the question that came up in class yesterday:
Why don't journalists ever write about the good news?

The student went on to talk about friends who avoid the news as if it were swine flu because, you know, it's all just too depressing. It's not just college kids. I have heard similar sentiments from friends my age who should know better.

So why do we cover stuff that's perceived as bad news? Do we have an obligation to appease squeamish readers? And what constitutes "good news" when it comes to news?

Just asking. bk

Monday, October 18, 2010

another obit

And yet one more piece of evidence that some of the most evocative newspaper writing can be found on the obituary pages. This, an obit of basketball player Manute Bol, was forwarded to me by Melissa Martin, a former student. Here's just a taste of why obituaries are important, not just as testament to one person's legacy, but to what we as a society value. Click on the link above to read the whole thing.

Manute Bol, who died last week at the age of 47, is one player who never achieved redemption in the eyes of sports journalists. His life embodied an older, Christian conception of redemption that has been badly obscured by its current usage.

Bol, a Christian Sudanese immigrant, believed his life was a gift from God to be used in the service of others. As he put it to Sports Illustrated in 2004: "God guided me to America and gave me a good job. But he also gave me a heart so I would look back."

He was not blessed, however, with great athletic gifts. As a center for the Washington Bullets, Bol was more spectacle than superstar. At 7 feet, 7 inches tall and 225 pounds, he was both the tallest and thinnest player in the league. He averaged a mere 2.6 points per game over the course of his career, though he was a successful shot blocker given that he towered over most NBA players.

Bol reportedly gave most of his fortune, estimated at $6 million, to aid Sudanese refugees. As one twitter feed aptly put it: "Most NBA cats go broke on cars, jewelry & groupies. Manute Bol went broke building hospitals."

Friday, October 15, 2010

anyone can be a writer?

That's apparently what Associated Press seems to think. Fishbowl NY reports that the AP has given up the term "writer" in its bylines in favor of simply "Associated Press". Why? Because the story may be "written" by anyone else who happens to be on the job:

The Associated Press has changed how it is asking its reporters to refer to themselves in their articles as of October 26th. In a memo, Tom Kent, the AP’s deputy managing editor for standards and production, announced that the term “Associated Press writer” would be retired in favor of “Associated Press” in order to allow for the fact that, increasingly, articles may be written by photographers, videographers and radio reporters in addition to those working primarily in print.

Maybe there's a point here, but here's mine. Is reporting and writing so easy that anyone can do it? Professionalism and experience not necessary, apparently.

Wonder what would happen if writers and reporters considered ourselves photogs. If we've got a camera, we can do it, right? bk

Thursday, October 14, 2010

provide us no content

To you from Garrison Keillor. For those of us who believe that the news-industry-as-we-knew-it began its slow trek to hell in a handbasket the day that we began to use "content" as a catch-all for anything that appears on a screen that strings more than a couple of sentences together:


"I sure wish we could get rid of that word 'content' to refer to writing, photography, drawing, and design online. The very word breathes indifference--why would one bother about the quality of work when it's referred to as 'content'? I'm sorry to respond to your good question with a cranky diatribe, but this word has crept from New Media over to Radio Broadcasting where I live in my little cave and now my Show has become Content and is sent around to stations in a nice digital package that squashes the sound. Public radio, which holds itself up as a believer in quality, is cutting corners on all sides and I see this perfidious word 'content' as part of the downward slide. I loathe the word. It's like referring to Omaha as a 'development.'"

--Garrison Keillor, radio curmudgeon, in response to a listener question about how he develops "content" for his radio show, "The Prairie Home Companion," 2009

why writers write

Fabulous piece on the Canadian Journalism Project website on journalist Ian Brown ruminating on the joys of long form journalism. Here's what he says about our stock in trade -- information:

He thinks there are two kinds of information and that 80% of what news organizations produce is the first kind: the info that we need to know -- interest rates, traffic, what’s happening at Nuit Blanche -- but “it’s really kind of prosaic. It’s kind of like looking for your car keys instead of going on a voyage of discovery.”

There’s also a second kind of information, the information you didn’t know you wanted to know, but you are thrilled to discover that you want to. “I think that’s the kind of information that real writers -- writers who care about how you tell a story as much as the story you tell -- that’s the kind of information writers traffic in. You don’t need this information to live your daily life, but it does make your daily life more worth living.” It comes as well-told stories, he says, the kind of journalism that people want to reread.


If that's not enough to get you to read the whole piece, there's this: The story starts out with the way Brown found his lead for a story on infertility treatments.. It's not what you think. Or maybe it is.

Friday, October 8, 2010

how not to get a job, gonzo style

Gawker posted this excerpt from a letter the 21-year-old Hunter S. Thompson, asking for a job at the Vancouver Sun back in 1958. Needless to say, he didn't get the job. (You can find the entire letter here.)

On the other hand, it didn't really matter, now, did it?

TO JACK SCOTT, VANCOUVER SUN

October 1, 1958 57 Perry Street New York City

Sir,

I got a hell of a kick reading the piece Time magazine did this week on The Sun. In addition to wishing you the best of luck, I'd also like to offer my services.

Since I haven't seen a copy of the "new" Sun yet, I'll have to make this a tentative offer. I stepped into a dung-hole the last time I took a job with a paper I didn't know anything about (see enclosed clippings) and I'm not quite ready to go charging up another blind alley.

By the time you get this letter, I'll have gotten hold of some of the recent issues of The Sun. Unless it looks totally worthless, I'll let my offer stand. And don't think that my arrogance is unintentional: it's just that I'd rather offend you now than after I started working for you. [...]

The enclosed clippings should give you a rough idea of who I am. It's a year old, however, and I've changed a bit since it was written. I've taken some writing courses from Columbia in my spare time, learned a hell of a lot about the newspaper business, and developed a healthy contempt for journalism as a profession.

As far as I'm concerned, it's a damned shame that a field as potentially dynamic and vital as journalism should be overrun with dullards, bums, and hacks, hag-ridden with myopia, apathy, and complacence, and generally stuck in a bog of stagnant mediocrity. If this is what you're trying to get The Sun away from, then I think I'd like to work for you.

Most of my experience has been in sports writing, but I can write everything from warmongering propaganda to learned book reviews.

I can work 25 hours a day if necessary, live on any reasonable salary, and don't give a black damn for job security, office politics, or adverse public relations.

I would rather be on the dole than work for a paper I was ashamed of. [...]

Sincerely, Hunter S. Thompson

Monday, October 4, 2010

R.I.P.: The English Language

Great piece by the WaPo's Gene Weingarter about the demise of English as we know it. Here's just a taste:

The end came quietly on Aug. 21 on the letters page of The Washington Post. A reader castigated the newspaper for having written that Sasha Obama was the "youngest" daughter of the president and first lady, rather than their "younger" daughter. In so doing, however, the letter writer called the first couple the "Obama's." This, too, was published, constituting an illiterate proofreading of an illiterate criticism of an illiteracy. Moments later, already severely weakened, English died of shame.

The language's demise took few by surprise. Signs of its failing health had been evident for some time on the pages of America's daily newspapers, the flexible yet linguistically authoritative forums through which the day-to-day state of the language has traditionally been measured. Beset by the need to cut costs, and influenced by decreased public attention to grammar, punctuation and syntax in an era of unedited blogs and abbreviated instant communication, newspaper publishers have been cutting back on the use of copy editing, sometimes eliminating it entirely.

To read more, go here. bk

Thursday, September 30, 2010

will journalism become more socialized?

Mashable suggests that the future of social media in journalism is that one will blend into the other, with reports from "citizen journalists and bloggers" on social media becoming news source as well as news consumers.

From the article:
... these social tools are inspiring readers to become citizen journalists by enabling them to easily publish and share information on a greater scale. The future journalist will be more embedded with the community than ever, and news outlets will build their newsrooms to focus on utilizing the community and enabling its members to be enrolled as correspondents. Bloggers will no longer be just bloggers, but be relied upon as more credible sources.

...Reporting has always in some ways been a collaborative process between journalists and their sources. But increasingly, there’s a merger between the source and the content producer. As a result, more journalism will happen through collaborative reporting, where the witness of the news becomes the reporter, says David Clinch, editorial director for Storyful and a consultant for Skype (). Journalists, Clinch says, must be able to pivot quickly between the idea of using the community as a source of news and as the audience for news, because they are both.

This requires a shift in the mindset of journalists, who are used to deciding what news is and how it is covered, produced and distributed, said Alfred Hermida, professor of integrated journalism at the University of British Columbia. “Social media by its very definition is a participatory medium,” Hermida said. “There is a potential for greater engagement and connection with the community, but only if journalists are open to ceding a degree of editorial control to the community.”


All well and good to have up to the minute information coming in by the minute, especially when disaster strikes, but who's going to make sure it's true? That the context is right? And can you really trust anyone who uses the term "content producer" when it comes to news? bk

the reports of its demise: greatly exaggerated

Internet entrepreneur Patricia Handschiegel spoke to the Pacific Northwest Newspaper Association a couple of weeks ago. Here's what she had to say about the reputed demise of print, in general, and journalism in particular.

A group of newspaper publishers heard what I hoped to share with the industry, that 1. Google and other internet companies have no business telling anybody how to do content business, given that the majority have no real experience in it. 2. That newspapers (and all print media companies) have just as much opportunity and chance for success online, if not more, as anybody. And, 3. That print is not "dead" because platforms never truly die (hello, radio) -- and that anybody who says otherwise is inexperienced or they'd know better. If anything, the future opens more opportunity, not less, for those in the print media business.

Good ideas. More on her site, linked above. Hit "like". bk




Thursday, September 23, 2010

this and that

Odds, ends and linx:

First, go here for information about Santa Clara University's high school journalism competition. Now edging into its third year.

Go here for the latest Pew Center report on American's increasing hunger for the news -- and how they get.

Finally, go here for a rumination on whether writing for Facebook may someday be a staple of the college curriculum. Silly? Or not so much...


Monday, September 20, 2010

Thursday, September 16, 2010

the curious case of ines sainz

From our other blog: Unnecessary rudeness, in which Shannon goes into the ugly truth about sexual harassment of female sportscasters. She also wonders, for that matter, why anyone has to -- or wants to -- set foot in a locker room with a bunch of naked sweaty men:

Well, from a journalist’s perspective, you have to have equal access to do your job. If male reporters get (have?) to report from the sweaty, naked bowels of the locker room, then women do, too. Period. (For the record, any sports reporter will tell you, there is no more disgusting place on earth. No one wants to be there. And, sorry, but while we can all appreciate the value of a scoop, we’re not exactly talking about matters of national security here. Why can’t everyone just have another hot wing, and wait the three minutes it might take for whoever the game’s big storymaker is to throw on some clothes–or even a towel, for the love–and take it outside?)
There's more, much more. What's your take? bk

Wednesday, September 15, 2010

crash blossoms

What better way to gear up for a new year of teaching journalism than to point out what goes wrong with it.

In this case: crash blossoms, or the goofy headlines that result when words go missing or turn up in the wrong place. Wonder where the term itself came from? The New York Times Magazine's Ben Zimmer explained it all:

For years, there was no good name for these double-take headlines. Last August, however, one emerged in the Testy Copy Editors online discussion forum. Mike O’Connell, an American editor based in Sapporo, Japan, spotted the headline “Violinist Linked to JAL Crash Blossoms” and wondered, “What’s a crash blossom?” (The article, from the newspaper Japan Today, described the successful musical career of Diana Yukawa, whose father died in a 1985 Japan Airlines plane crash.) Another participant in the forum, Dan Bloom, suggested that “crash blossoms” could be used as a label for such infelicitous headlines that encourage alternate readings, and news of the neologism quickly spread.
According to Zimmer, once he blogged about crash blossoms on a linguistics blog, examples came pouring in. Let's check:

One of my favorite crash blossoms is this gem from the Associated Press, first noted by the Yale linguistics professor Stephen R. Anderson last September: “McDonald’s Fries the Holy Grail for Potato Farmers.” If you take “fries” as a verb instead of a noun, you’re left wondering why a fast-food chain is cooking up sacred vessels. Or consider this headline, spotted earlier this month by Rick Rubenstein on the Total Telecom Web site: “Google Fans Phone Expectations by Scheduling Android Event.” Here, if you read “fans” as a plural noun, then you might think “phone” is a verb, and you’ve been led down a path where Google devotees are calling in their hopes.

Nouns that can be misconstrued as verbs and vice versa are, in fact, the hallmarks of the crash blossom. Take this headline, often attributed to The Guardian: “British Left Waffles on Falklands.” In the correct reading, “left” is a noun and “waffles” is a verb, but it’s much more entertaining to reverse the two, conjuring the image of breakfast food hastily abandoned in the South Atlantic. Similarly, crossword enthusiasts laughed nervously at a May 2006 headline on AOL News, “Gator Attacks Puzzle Experts.”

Much of the silliness results when headline writers leave out articles and such in an effort to save space, a trick that may have originated with the telegraph, which leads us again, back to Zimmer:

One clever (though possibly apocryphal) example once appeared in the pages of Time magazine: Cary Grant received a telegram from an editor inquiring, “HOW OLD CARY GRANT?” — to which he responded: “OLD CARY GRANT FINE. HOW YOU?”
All of which would seem pretty archaic until, you know, you think of Twitter. bk

Tuesday, September 14, 2010

a distinction with a difference

What's the difference between online journalism and journalism online? A lot, writes The Online Journalism Review's Robert Hernandez, who is on the faculty of USC's Annenberg School of Communication.

The latter is merely print journalism transferred to screen format. Not bad, not good, not really different. The former, however, is a different bird entirely, that takes all the web has to offer and uses it to both report -- and present. Let's let Hernandez tell it:

Journalism Online is what we use to lovingly call "shovelware," which is taking existing "legacy" content and posting it on the Web. We know that there is immeasurable value in having the paper's articles, radio show's podcast and TV show's newscasts available on the Web.

Text alone is perhaps the most powerful form of journalism on the Web.

But that is still Journalism Online.

What I do.... what I identify with... what I live and breathe is Online Journalism.

So, what is that exactly?

Well, it's hard to explain but I look at the latest technology and opportunities only available on the Internet and try to harness them for the advancement and distribution of storytelling and journalism.

I look at FourSquare and see how we can use that to find eye-witness sources in breaking news events. I look at photo gallery widget by TripAdvisor, meant for vacation snapshots, and see how it could enrich our coverage of, say, the World Cup.

I work with engineers and see how our crafts can work together and create new experiences. Like when we took RSS feeds from around the globe and mapped them for a Seattle Times project. It was based on the addicting, but somewhat pointless Twittervision.

As we've said before, and need to keep repeating: journalism is evolving, changing. And the internet -- not an end in itself, but merely a tool -- is helping that evolution take place. So long as we use it wisely. bk

Thursday, September 9, 2010

immersion in iraq

Check this interview with journalist David Finkel on KQED-FM, San Francisco's NPR station. Finkel, a Pullitzer-winner from the Washington Post, and one of my favorite magazine writers, talks about his 13 month immersion with a battalian of soldiers in Iraq. The result? His book, "The Good soldiers", gives a searing account of the price of war from the soldier's perspective.

All of which points to the value of both immersion journalism -- and going into a story with an open mind.

Magazine students might remember him as the author of "TV Without Guilt" and "The Last Housewife in America," both immersion projects that took the reader inside what could have been touchy subjects -- without agenda or judgement.

When he was awarded the Pullitzer for feature writing some years back, he said something like this in his acceptance speech: Start with an idea, but wait for the story. Love it. bk

Wednesday, September 8, 2010

who defines what's news?

You do.

A recent dust-up between the New York Times and it's partnery, the baycitizen.org, and online news non-rofit in the San Francisco Bay area that supplies local news stories to the NYT twice a week. The issue at hand? A column written by the editor of the Bay Citizen appeared to straddle the line between news, gray lady style, and editorial. All of which points to the ways in which digital journalism is changing the definition of the news as we know it.

Here's the cheat sheet for you. First, a column about the brouhaha from the Bay Citizen from the guy who wrote the column in question. Second, the NYT column about said column, written by the public editor. And finally, the Times' own Readers Guide to help readers distinguish fact from, um, opinion.

All of which calls for a little more sophistication o the part of the reader, if not the reporter. So here's the question: as we move away from the old school definition of he said/she said journalistic objectivity, as we appreciate the validity of point of view journalism (even though these changes require more work on the part of the reader) what does this mean in terms of an informed citizenry? Thumbs up? Down? No clue?

It's complicated. But whatever you think, it's kind of exciting, our here on the sidelines, watching it all evolve. bk

Saturday, August 14, 2010

journalism101: warning labels

Want to learn how to be a good journalist -- without taking a journalism class? Take a look at what these warning labels warn against. And then, do none of the above.

Here are just a couple:


To meet a deadline, this article was plagiarised from another news source.

To be fair, newspaper journalists have far too little time to do far too much, particularly with the steadily collapse of print circulations. If a story breaks just before the deadline, they may just copy it: but it seems only fair to require labelling in a case like this.

This article contains unsourced, unverified information from Wikipedia.

...and we all know what happens when you do this.

Journalist does not understand the subject they are writing about.

Now this'd be fine, if journalists were willing or able to call upon expert sources to verify claims, and then to quote their responses. Otherwise you get front-page headlines about cures for cancer based on small irrelevant studies on mice.


Friday, July 23, 2010

rules to write by

From Janet Fitch, author of "White Oleander" via the Los Angeles Times: 10 Rules for Writers. She's talking about fiction, but most of the rules apply to journalism, too, such as using dependent clauses, ditching cliches, writing in scenes, and finding replacements for over-used, anemic verbs.

Here you go. bk

Thursday, July 22, 2010

writing for free. or close to it...

Go here for an inside look at life on the "content farm". It's a look at the uber-creepy underbelly of digital journalism. If only all the underemployed journalists would just say NO...

The MediaShift piece, by Corbin Hier, starts thus:

"We are going to be the largest net hirer of journalists in the world next year," AOL's media and studios division president David Eun said last month in an interview with Michael Learmonth of Ad Age. Eun suggested that AOL could double its existing stable of 500 full-time editorial staffers in addition to expanding its network of 40,000 freelance contributors. Many of the jobs will be added to its hyper-local venture, Patch, while the majority of AOL's freelancers will work for the company's content farms -- Seed and the recently acquired video production operation, StudioNow.

These two areas into which AOL is ambitiously expanding are the fastest growing sectors of the journalism market. Hyper-local networks like Outside.in and content farms such as Demand Media are flourishing. As Eun's bold prediction indicates, more and more journalists will end up working for new online content producers. What will these new gigs be like? To better understand, I reached out to people who have already worked with some of the big players.

And then gathered stories like this one about the worst -- and the biggest money maker -- of the bunch, Demand Media:

"A lot of my friends did it and we had a lot of fun with it," said one graduate of a top journalism graduate program when asked about her work for Demand Media. "We just made fun of whatever we wrote."

The former "content creator" -- that's what Demand CEO Richard Rosenblatt calls his freelance contributors -- asked to be identified only as a working journalist for fear of "embarrassing" her current employer with her content farm-hand past. She began working for Demand in 2008, a year after graduating with honors from a prestigious journalism program. It was simply a way for her to make some easy money. In addition to working as a barista and freelance journalist, she wrote two or three posts a week for Demand on "anything that I could remotely punch out quickly."

The articles she wrote -- all of which were selected from an algorithmically generated list -- included How to Wear a Sweater Vest" and How to Massage a Dog That Is Emotionally Stressed," even though she would never willingly don a sweater vest and has never owned a dog.

As if that weren't demoralizing enough, Demand pays the grand sum of about 15 bucks per piece in order to take advantage of struggling journalists. One free-lancer, who wrote for Demand to supplement his salary as an adjunct professor, only made it worthwhile by writing three pieces an hour for four hours a day. You can imagine the quality of the reporting. Oh, wait.

When the industry appears to be crumbling around us, you do what you gotta do. I'm sure that there are a good number of folks who swallow their pride just because they want to write. But please, let's don't call it journalism. Or kid ourselves that digital outfits like Demand are going to fill the void. bk

Thursday, July 8, 2010

Jay Rosen on objectivity

From Pressthink, NYU prof. Jay Rosen's take on what "objectivity" is all about. What it isn't about is lack of opinion and the I-word. Journalism, after all, is the process of editting and choosing. What you leave in, what you leave out, what questions you ask, what you cover, what you don't.

Objective journalism is a form of persuasion, he writes, and what it is really about is damn good reporting -- and a lot of disclosure:

1. “Grounded in reporting” is far more important than “cured of opinion.” What editors and news executives should worry about is whether the news accounts delivered to users are well grounded in reporting. That’s the value added. That’s the sign of seriousness. That’s the journalism part. Original reporting and the discipline of verification—meaning, the account holds up under scrutiny—should be strict priorities. Whether the composer of the account has a view, comes to a conclusion, speaks with attitude (or declines these things) is far less important. Here, looser rules are better.

2. If objectivity is persuasion, it’s possible that its power to persuade can fade. This is particularly so because of what I said earlier: every act of journalism is saturated with judgment. By not disclosing such acts, “just the facts” sows the seeds of mistrust. All it takes is an accumulation of users who want to know where these judgments arise from. Ostensibly “objective” accounts will fail that test. Mistrust will rise. As the clamor grows, journalists may misidentify it as a demand for even more objectivity. Now you have something that looks a lot like a death spiral, at least for those users who are no longer persuaded. (In part because audience atomization has been overcome by the Internet.)

3. Disclosure sets the fairness bar higher. James Poniewozik of Time magazine was seeking an escape from that spiral when he said that reporters should disclose their political preferences:

Modern political journalism is based on the bogus concept of neutrality (that people can be steeped in campaigns yet not care who wins) and the legitimate ideal of fairness (that people can place intellectual integrity and rigor over their rooting interests). Voting and disclosing would expose the sham of neutrality—which few believe anyway—and compel opinion and news writers alike to prove, story by story, that fairness is possible anyway. Partisans, bloggers and media critics are toxically obsessed with ferreting out reporters’ preferences; treating them as shameful secrets only makes matters worse.

In this sense neutrality can hamper credibility because it masks the hard work of proving you can be fair despite the fact that you have your views.

4. The View from Nowhere may be harder to trust than “here’s where I’m coming from.” Objectivity is often seen as safer by self-styled traditionalists in the mainstream press. But I like to put the accent on what’s tendentious about it. So I make use of my own term, the View from Nowhere, to describe the ritualized uses of objectivity and suggest that there is something strained about them. Easing that strain is not impossible. It means shifting to a different rhetoric: “Here’s where I’m coming from,” sometimes called transparency. This is a different bid for trust. Instead of viewlessness, “You know where I stand; judge accordingly.”

5. In deciding what the rules should be, the wise newsroom will trade polarity for plurality. Lose the binary! Instead of two rigid poles—neutrality or ideology, news or opinion, reporter or blogger, adults or kids—I recommend a range of approaches that permit journalists to report what they know, say what they think, develop a point of view in interaction with events, and bid for the trust of users who have many more sources available to them. A plurality of permissible styles recognizes that trust is a puzzle unsolvable by a single system of signs.

Monday, July 5, 2010

and more:

Go here for a free guide to paying markets for essayists. Download at no charge for the next 30 days. Last updated, Dec. 2009. Author: Erika Dreifus. bk

looking for freelance love at 35,000 feet?

Go here for a listing of in flight magazines, organized by region. Great gig for freelance travel writers or wannabe freelance travle writers.. Rumor has it, airline magazines still pay. As in livable wages.
Once you get the actual listings (free on the website), you can probably find the contact info via the goog-lay. bk

the power of words: who controls the agenda?

Fierce media critic Glenn Greenwald excoriates the New York Times and other members of the mainstream media for backing down from using the word "torture" to describe water-boarding at the behest of the Bush administration.

This, according to a study by Harvard's Joan Shorenstein Center on the Press, Politics and Public Policy. The Bush administration-dictated euphemism of choice? "harsh interrogation techniques."

What's in a word? Lots. It's a pernicious case of letting the folks with the most vested interest in the outcome control the agenda: the press abdicating its role of watchdog.

There could be any number of reasons why the NYT played the toad in this case. I suspect a lot had to do with access to a very closed an secretive White House. Piss off your limited sources, and what access you had tends to dry up. All of which, it seems to me, seems to me to turn the First Amendment, and all its intent, on its head.

Back to Greenwald:

In response to the Harvard study documenting how newspapers labeled waterboarding as "torture" for almost 100 years until the Bush administration told them not to, The New York Times issued a statement justifying this behavior on the ground that it did not want to take sides in the debate. Andrew Sullivan, Greg Sargent and Adam Serwer all pointed out that "taking a side" is precisely what the NYT did: by dutifully complying with the Bush script and ceasing to use the term (replacing it with cleansing euphemisms), it endorsed the demonstrably false proposition that waterboarding was something other than torture. Yesterday, the NYT's own Brian Stelter examined this controversy and included a justifying quote from the paper's Executive Editor, Bill Keller, that is one of the more demented and reprehensible statements I've seen from a high-level media executive in some time (h/t Jay Rosen):

Bill Keller, the executive editor of The Times, said the newspaper has written so much about the issue of water-boarding that "I think this Kennedy School study -- by focusing on whether we have embraced the politically correct term of art in our news stories -- is somewhat misleading and tendentious."

You can find the above links, a pdf of the Harvard story, and more thru Greenwald's piece. bk